Posts

Showing posts with the label Books

Sasha Milivoyev - The pain of the world; Saša Milivojev - Svetski bol; Саша Миливојев - Светски бол; ساشا ميليفويف - الوجع العالمي

Image
Saša Milivojev - THE PAIN OF THE WORLD, published 2024. ISBN 978-86-914737-1-6 The book "The pain of the world" by Sasha Milivoyev is a poetic masterpiece that delves into the essence of human suffering and trauma worldwide. Through verses in English, Serbian and Arabic, Milivoyev explores not only the pain of individuals but also the collective suffering of humanity. His poetry is not just a reflection of reality but also a catalyst for change – a call for empathy, understanding, and action in creating a better world. Through this collection, Milivoyev reminds us of our common humanity and responsibility towards all who suffer, emphasizing the importance of dialogue and solidarity as a path to true understanding and healing. Knjiga „Svetski bol“ autora Saše Milivojeva je poetsko remek-delo koje nas uvlači u suštinu ljudske patnje i traume širom sveta. Kroz stihove na srpskom, arapskom i engleskom jeziku, Milivojev istražuje ne samo bol pojedinca, već i kolektivnu patnju čove

DALIBORKA STOJŠIĆ: "SAŠA MILIVOJEV - THE SON OF THE SOUL"

Image
Daliborka Stojšić DALIBORKA STOJŠIĆ "SAŠA MILIVOJEV THE SON OF THE SOUL" (Daliborka Stojšić is a famous Serbian artist and ex-Miss of the former Yugoslavia) WHEN THE FIREFLY IS GONE - reviewed by Daliborka Stojšić When I first saw a photograph of Saša Milivojev in a newspaper, my lips spontaneously whispered: Tadzio ! It was a reaction to his angelic beauty of the kind that once mesmerised me when I read Death in Venice as part of the preparation of a paper entitled The Novellas of Thomas Mann at the World Literature Department of the Faculty of Philology in Belgrade. The Hellenic, Apollonian beauty of the young Pole that I recognised on his face, is often unaware of itself. It belongs to the kind so agonisingly loved by Thomas Mann, to those blue-eyed and simple creatures that need no spirit. It also conforms to Schiller’s principle of the naïve, as opposed to the sentimental, which separates itself from life, contemplates, writes poems and falls while dancing. Sasha Mil