SAŠA MILIVOJEV

Daliborka Stojšić DALIBORKA STOJŠIĆ "SAŠA MILIVOJEV THE SON OF THE SOUL" (Daliborka Stojšić is a famous Serbian artist and ex-Miss of the former Yugoslavia) WHEN THE FIREFLY IS GONE - reviewed by Daliborka Stojšić When I first saw a photograph of Saša Milivojev in a newspaper, my lips spontaneously whispered: Tadzio ! It was a reaction to his angelic beauty of the kind that once mesmerised me when I read Death in Venice as part of the preparation of a paper entitled The Novellas of Thomas Mann at the World Literature Department of the Faculty of Philology in Belgrade. The Hellenic, Apollonian beauty of the young Pole that I recognised on his face, is often unaware of itself. It belongs to the kind so agonisingly loved by Thomas Mann, to those blue-eyed and simple creatures that need no spirit. It also conforms to Schiller’s principle of the naïve, as opposed to the sentimental, which separates itself from life, contemplates, writes poems and falls while dancing. Sasha Mil...

Daliborka Stojšić / Далиборка Стојшић   DALIBORKA STOJŠIĆ „ SAŠA MILIVOJEV - SIN DUŠE “ (Daliborka Stojšić - Mis Jugoslavije ) KAD SVITAC ODLETI - Predgovor knjige „ Kada sam prvi put videla sliku Saše Milivojeva u novinama, moje usne su spontano promrmljale: Tađu! - Bila je to  reakcija na njegovu anđeosku lepotu, onu istu koja me je opčinila dok sam,  jednom davno, čitala 'Smrt u Veneciji ' , pripremajući se za pisanje seminarskog rada: 'Novele Tomasa Mana', na odseku Svetske književnosti Filološkog fakulteta u Beogradu. Ta helensko-apolonovska lepota mladog Poljaka, koju sam prepoznala na njegovom licu, obično nije svesna sebe. Ona pripada soju koji Tomas Man bolno voli, onim  ' plavookim i običnim, kojima duh nije potreban ' . Pripada takođe Šilerovom principu Naivnog za razliku od Sentimentalnog, koje se odvaja od života, razmišlja, piše pesme i pada pri plesu. U hodu se prebacujem na  ' Toni ј a Kregera ' , novelu u kojoj Tomas Man najslikovitije g...