Saša Milivojev in KARACHI, PAKISTAN 🇵🇰

Saša Milivojev in KARACHI, PAKISTAN
Saša Milivojev in KARACHI, PAKISTAN


Saša Milivojev - Clifton beach / KARACHI, PAKISTAN
Saša Milivojev - Clifton beach / KARACHI, PAKISTAN


Saša Milivojev ! Quaid's Mausoleum, KARACHI, PAKISTAN
Saša Milivojev ! Quaid's Mausoleum, KARACHI, PAKISTAN


Saša Milivojev - Tooba Masjid / KARACHI, PAKISTAN
Saša Milivojev - Tooba Masjid / KARACHI, PAKISTAN


Saša Milivojev - Frere Hall / KARACHI, PAKISTAN
Saša Milivojev - Frere Hall / KARACHI, PAKISTAN


Sasha Milivoyev - Clifton beach, KARACHI, PAKISTAN
Sasha Milivoyev - Clifton beach, KARACHI, PAKISTAN


Saša Milivojev with security guard in Karachi, Pakistan
Saša Milivojev with security guard in Karachi, Pakistan



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SAŠA MILIVOJEV - BIOGRAPHY 🇬🇧

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Sasha Milivoyev (Saša Milivojev) is a famous writer, poet, journalist columnist and political analyst... One of the most read columnists in Serbia, he is the author of five books, and numerous columns published in various daily newspapers. He is the author of the novel “The Boy from the Yellow House” and of political speeches. His work has been translated into around twenty languages across the world. Saša Milivojev Milivojev was born in 1986 in Zrenjanin (SFRJ, Serbia), where he nurtured his many talents in the Music Gymnasium. He used to sing in the  “ King David ”  Oratorio by Arthur Honegger in the Arad Philharmonic Orchestra, Romania. After ten years of enjoying music, Milivojev turned towards the Faculty of Philology of Belgrade University, where he is a successful student of the Serbian Language and Literature. He is the author of four collections of poems: “Tajna iza Uzdaha” (“The Secret Behind a Sigh”, published in 2006 by Narodna Knjiga, Belgrade), “Prvi Put” (“The First Time
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Kaaba, Mecca, Saudi Arabia Sasha Milivoyev BLACK STONE Mecca, Saudi Arabia Translated by Ljubica Yentl Tinska By the Black Stone Sinful, on my knees,  with tears in my eyes, I'm pleading,  begging for forgiveness, when blood-red turned the skies, the stone grew darker, blacker than night, and it used to be white, as luminous as the daylight, when from the Garden above, it fell many a warm Mays ago, when it fell from Jannah,  far, far down below, it was whiter than milk  and whiter than snow, blackened from within,  from human malice and sin. Never let it slip away, the dushman came from far away, tried bringing Kaaba to its knees, killing Muslims, the desert still bleeds, covered in corpses, devoured by rodents and beasts. The Judgement Days are dawning soon. The Sun will stop, merge with the Moon, Into the particles the hills will be shattered, spill like the honey that is melted, Allah will be a righteous judge to everyone, To the fires of hell, the monsters will succumb, The sto
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Professor PhD Mila Alečković about the poetry of Saša Milivojev

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Professor PhD Mila Alečković Professor PhD Mila Alečković about the poetry of Saša Milivojev Had it not been for a fact that I myself am a child of a poet, I may have failed to perceive the talent of a young man who lives faraway from his hometown, yet not far from his ancient archetype. Was Sasha Milivoyev born a poet, or is this what he had become, out of what breadth bears in its trail, that sharpens the senses and adds up all the sufferings, regardless. Milivoyev is simply a poet in the melancholy backdrop of the maker, who is sheltered and strengthened by his verses. Milivoyev knows that with poetry one transcends to timelessness, to infinity, to imortality and namelessness in which we become the twins and transmitters of Chist's words, hence in his "Message After death" he says: And I have died, in antiquity, and noone ached for me. Some rejoiced, young as I was, as I bled on the cross, drenched in blood, in agony. Not a single tear rolled down for me, when they na
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Saša Milivojev - THE REJOICING SONG

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Saša Milivojev Saša Milivojev THE REJOICING SONG Grateful to the skies And the darkest nights, To the moon and stars That are my night’s lights. Morning and the Mosques That wake me unsleeping, When hopes of new victories Upon me are awakening. Through these empyrean gardens Where black gold is flowing, No wicked thoughts are growing. No sadness and hunger, Resentment and pain, Here, one can love again. In the warm desert Thirsting for love. Grateful my life, To the blue infinity of freedom To the Sun that shines the light That gilts the sands with golden flames And the Sea that hums a lullaby Whose waters rise and fall with tide. Drown the troubles, surface blessedness, Here, where every cry diminishes. Grateful to the Nature, Earth and Water For the yields, Sweet fruits, Bees on flowers, Honeyed lips, Coconut in the palms of my hands And the wild beasts That emboldened me. The compassionate And the charitable. To the seed of men, Mothers that birth Children that warm our hearts And t
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Саша Миливоев О ГЛУБИННОМ ГОСУДАРСТВЕ И САТАНИСТАХ - ВЛАСТИТЕЛИ МИРА

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PROF. DR MILA ALEČKOVIĆ O POEZIJI SAŠE MILIVOJEVA

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PROF. DR MILA ALEČKOVIĆ PROF. DR MILA ALEČKOVIĆ  O POEZIJI SAŠE MILIVOJEVA Da nisam i sama pesničko dete verovatno ne bih uočila talenat mladog čoveka koji živi daleko od svog rodnog grada, ali ne i od drevnog psihološkog arhetipa. Da li je Saša Milivojev pesnik od rođenja ili je to postao u daljini, uz ono što daljina sa sobom nosi kada se izoštre sva čula i saberu sve patnje, svejedno je. Milivojev je prosto pesnik u melanholičnoj pozadini stvaraoca koga čuvaju i jačaju njegovi stihovi. Milivojev zna da poezija odvodi u bezvremerje, u beskraj, u besmrtnost i bezimenost u kome smo dvojnici i provodnici Hristovih reči i zato u svojoj „Poruci posle smrti“ kaže: I ja sam umro, davno, a niko me nije žalio. Neko je slavio, dok sam mlad u krvi do kolena, na krstu u mukama, krvario. Niko za mnom nije zaplakao, kad su mi ekserima kosti o tisu zakivali, dželati su pevali, a ja se slatko smešio. U tom kratkom životu, u tom paklenom kotlu, u zarđalim raljama prosio sam ljubav pesmama, uzaludno.
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ሳሻ ሚሊቮዬቭ ታዋቂው ደራሲ፣ ገጣሚ፣ ጋዜጠኛ እና የፖለቲካ ተንታኝ... 🇪🇹

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Saša Milivojev: SLAĐANA MILOŠEVIĆ JE STVARALAC MUZIKE BUDUČNOSTI

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Istorija svetske književnosti u Beogradu. Nezaboravno pesničko veče za dvoje: ALEKSANDRA SLAĐANA MILOŠEVIĆ i SAŠA MILIVOJEV.  SLAĐANA MILOŠEVIĆ I SAŠA MILIVOJEV Slađana Milošević je stvaralac muzike i umetnosti budućnosti, genije, ispred svakog vremena, svojim delima lečiće rane ovog sveta i budućih generacija. Bljesak svetlosti na sceni, kraljica, a ne samo  „ princeza ” . Uvek će nadilaziti fenomene publicističke aktuelnosti, jedina je prava jugoslovenska zvezda čiju muziku može da sluša ceo svet. Besmrtna svemirska duša, anđeo. „ VOJNIK ”  - jedna je od najboljih kompozicija autorke Aleksandre Slađane Milošević. Ne propustite: stavite slušalice i obavezno preslušajte do kraja. Takav genije više se ne rađa. Slađana kao kompozitor i inovator ulazi u sam vrh najvećih i najbitnijih autora u istoriji svetske muzike. Nekada su potrebne i stotine godina da se otkrije ko je zaista menjao svet. Pesme Slađane Milošević hitno moraju biti uključene u programe osnovnog, srednjoškolskog i fakulte
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Profesor emeritus dr Rade Božović PROFESOR EMERITUS  DR RADE BOŽOVIĆ  O STIHOVIMA  „SVETSKOG BOLA“  SAŠE MILIVOJEVA Produženi i opominjući jecaj Saše Milivojeva nas uvek iznova tera na to da brižno razmišljamo o svetu u kome živimo. Ali svet je za pravog literatu previše malen, mora se planetrano ophoditi prema njemu. Ovi Sašini stihovi ne izlaze iz Panove frule, oni jecaju iz Rumijevog naja, vrsti itočnjačke svirale. Oni kao da nam ponovo govore opasnu uznemiravujuću Rumijevu, islamskog filosofa i pesnika, stih rečenicu: „Ne sedaj pod drvo sa onim koji te ne razume, sedaj samo s onima koji te poznaju i razumeju“. Sedaj samo pod voćke u punom cvatu, od sad.  Saša moj, teško je u ovim suvim, pustošnim vremenima biti pesnik. To je kao penjati se uz axis mundi , uz nevidljivi nebeski stub koji nema kraja. Nebo je visoko, a zemlja tvrda. Lako je popeti se uz drvenu banderu - tu su uzengije. Ali vredi, i može se, popeti uz pomoć univerzalnih misli i žestokih reči. Znam Saša, da si žarko žel
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PROFESSOR EMERITUS PHD RADE BOŽOVIĆ Professor emeritus PhD Rade Božović about the verses  of Saša Milivojev's "Pain of the world" A prolonged and warning cry of Saša Milivojev is always and anew prompting us to carefully contemplate the world we are living in. Alas, the world is far too small for a true literate and must be treated planetarly. However, these verses of Saša are not sent forth from Pan's flute, they are wailing from Rumi's Nay, a type of Middle-Eastern flute. And it seems as if, they are once again embodying the warning and worrying words of Rumi "Don't sit under a tree with those that do not understand you, sit only with those who know and understand you. Sit only under a tree that is full of blossoms", from now on.  My Saša, it is hard being a poet in these times, dry and wasted. It is as hard as ascending the Axis mundi , the never-ending, invisible, heavenly pillar. The heavens are soaring and the earth is unyielding. A timber po
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